Play Along Piano

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Handel

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
Violoncello	24	0	5	6	97%
Contrabass	24	0	5	5	88%
Dorinda	17	0	6	6	75%
Violins 1	22	0	7	7	56%
Contrabasses	17	0	4	3	47%
Violoncellos	17	0	4	3	47%
Bassoon	10	0	2	3	13%
Oboe	14	0	2	5	13%

HWV19A1N10 - Bertarido, "Bertarido fù Rè"

edward.maurath

0:49	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bertarido	12	0	5	3	100%
Cembalo Continuo	13	6	6	3	83%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bertarido	12	0	5	3	100%
Cembalo Continuo	13	6	6	3	83%
	14	3	2	3	53%
Viola	4	0	0	2	42%
Violoncello Continuo	4	0	1	2	42%
Vln 1	5	0	2	2	42%
Vln 2	4	0	1	2	42%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

HWV7A2N0b "Siam prossimi al porto" (1731)

edward.maurath

2:15	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
Violoncello	22	0	6	7	100%
Goffredo	14	0	4	7	57%
Violins	12	0	2	6	41%
Kontrebaß	15	0	1	5	40%
Violoncellos	15	0	1	5	40%

"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711

edward.maurath

1:46	Est. Play Time
96	Measures
	1,603Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
Violoncello (Continuo)	18	0	4	7	53%
Violin	18	0	4	7	45%
	17	0	4	7	45%
Contrabassi (Continuo)	18	0	4	6	44%
Violoncelli (Continuo)	18	0	4	6	44%
Armida (Soprano)	14	0	3	8	43%
Viola	14	0	4	4	43%
Oboe	12	0	0	7	30%
	13	0	2	7	30%
Bassoon (Continuo)	14	0	0	6	27%

"Frode, sol a te rivolta" from "Il Pastor Fido," HWV 8 (1733)

edward.maurath

3:24	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
Violoncello (Continuo)	22	0	6	4	100%
Soprano as Eurilia	12	0	4	5	68%
Violini Tutti	14	0	1	6	55%
Contrabassi	16	0	2	4	48%
Violoncelli (Continuo)	16	0	2	4	48%

HWV17a2n05y1724 "Se in fiorto ameno prato" from "Giulio Cesare in Egitto"

edward.maurath

6:49	Est. Play Time
97	Measures
	1,535Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
	28	68	10	8	84%
Harpsichord	20	48	6	8	84%
	27	51	9	8	84%
Cesare	15	0	6	8	71%
Bassoon	14	7	0	7	60%
Continuo	22	0	6	5	55%
Vln 1	16	0	4	8	37%
Celli	16	0	2	5	35%
Kontrebaß	16	0	2	5	35%
Vln 2	13	0	0	6	32%
Violas	10	0	0	7	29%

"Casta Dea, a te divoto" from "Il Pastor Fido," HWV 8 (1712)

edward.maurath

3:24	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
Violoncello (Continuo)	22	0	6	4	100%
Alto as Silvio	12	0	4	5	68%
Violini Tutti	14	0	1	6	55%
Contrabassi (Continuo)	16	0	2	4	48%
Violoncelli (Continuo)	16	0	2	4	48%

"Perchè viva" from HWV 5, "Rodrigo" (1707)

edward.maurath

3:36	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
Violoncello (Continuo)	22	0	6	6	100%
Esilena	17	0	7	7	73%
Contrabassi (Continuo)	15	0	1	4	18%
Violins 1	15	0	2	8	18%
Violins 2	14	0	2	6	18%
Violas	10	0	1	6	15%
Violoncelli (Continuo)	16	0	1	4	15%

"L' aure che spira tiranno e fiero" from "Giulio Cesare," HWV 17

edward.maurath

6:55	Est. Play Time
108	Measures
	1,899Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
Harp (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
Violoncello (Continuo)	23	0	6	6	94%
Bassoon (Continuo)	23	0	6	6	91%
Oboe	19	0	5	7	89%
Violini 1	23	0	5	5	89%
Violini 2	23	0	5	6	89%
Contrabassi (Continuo)	23	0	6	6	81%
Violoncelli (Continuo)	23	0	6	6	81%
Soprano as Sesto	17	0	5	7	69%
Bassoon (VLI)	19	0	2	5	46%
Viole	16	0	2	5	46%

HWV17A2N20Y1724 Cleopatra, "Se pieta di me non senti" in f sharp minor

edward.maurath

7:04	Est. Play Time
51	Measures
	1,747Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	43	8	5	92%
	26	13	8	5	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	43	8	5	92%
	26	13	8	5	100%
Harp Continuo	20	42	8	5	92%
	25	13	7	5	100%
Bassoon Continuo	20	0	6	4	100%
Violins 1 and 2	26	0	10	5	96%
Celli Continuo	18	0	5	4	94%
Contrabass Continuo	18	0	5	4	94%
Violoncello Continuo	18	0	5	4	94%
Violas	16	0	4	5	90%
Violins 3	17	0	6	5	90%
Soprano as Cleopatra	17	0	6	6	73%
Bassoon Obligato	13	0	2	4	29%

"Ritorni omai nel nostro core" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

2:32	Est. Play Time
107	Measures
	2,086Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Contniuo	19	15	4	6	100%
	20	25	3	6	100%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Contniuo	19	15	4	6	100%
	20	25	3	6	100%
Basso Continuo	19	0	2	5	100%
Fagotto (Viole)	21	0	2	4	100%
Oboe 1	15	0	2	5	100%
Oboe 2	14	0	4	5	100%
Contrabassi Continuo	14	0	2	3	79%
Viole	11	0	2	4	79%
Violini 1	13	0	2	4	79%
Violini 2	11	0	2	4	79%
Violoncelli Continuo	14	0	2	3	79%
Corni re	8	0	0	3	73%
Corni sol	7	0	0	3	72%
Bassi	13	0	2	3	69%
Contralti	9	0	1	4	69%
Soprani	13	0	2	4	69%
Tenori	8	0	2	4	69%
Cleopatra	8	0	0	4	23%
Cesare	9	0	2	4	22%